3D in Viborg

Dear readers of my blog,

I’m moving on. Drawing is great, but lately I found it tedious and… well tedious. And I’m barely making it economically doing comics. Time to make a change. So I emptied my little corner in the Malmö Comics Studio and left for Denmark.

empty studio cornerI have to admit it looks VERY empty. Hopefully this will make my colleagues rush to find a replacement cartoonist for me, so I don’t have to pay for an empty place, like I’m doing at the moment.

penstumpar studion 2008-10Just to give you an idea of the amount of led that goes into cartooning. These are pencil leftovers from my two years in the studio, Actually there were more, I just left this neat little basket for my succesor to have something to live up to.

So I started this course in Viborg, Denmark in 3D animation. The downside is that I have to stay at the school (since it’s 5,5 hours away) and be away from my baby faaar too long. The good part is there isn’t much else to do than school work.

The first week has been frustrating beyond belief. Learning Maya when you’ve never used a 3D program before is like learning how to walk again. And I had forgotten how hard it is to learn to walk!

Speaking about tedious, when I mentioned I found drawing tedious, apparently so did the stop motion animators find stop motion tedious, just as the 3D teacher found 3D animation tedious. I guess the work we do in this business is tedious by nature. It’s just different types of tedious. But we always admire what others do (especially if it’s in another media or technique than the one we’re in ourselves). That’s just the way we are. By the way, those stop motion animators, three guys from Britain, just happen to be fresh out of animation work on Fantastic Mr Fox. How cool is that?

Here are some snapshots from my first trembling steps in Maya modelling:

death star blogsizeSome kind of Death Star. I always wanted to make one of those. 🙂

still life blogsizeRight now we’re doing a two week introduction course in modelling. Later on we will focus on animating already made models, so we’re not required to be experts in modelling. But it’s good to have an understanding of the basics. I can’t tell you how many times and in how many ways I managed to screw things up before managing to gather these objects onto the grid.

The main task of week 1 has been to create a Lego character. We’ve talked about polygons and curves and millions of tools and drop down menus. Today we’ve worked with UV mapping (attaching a skin or texture to the objects), which I found incredibly difficult. There is still quite some distance before I become friends with Maya. However, it definately seems to be a powerful program once you get some control over it.

Angry Lego blogsizeFrustration, irritation and anger will lead to the dark side?

Mad Lego blogsize

-AAAAAAAAAAAARGH!

Sad Lego blogsizeSo many times during this week I have felt like giving up and cry…

…BUT. I didn’t. These pictures indicate at least some progress. Not that I’m sure how I actually made these, and if I would be able to make them again. But hey, they’re there. We-hey! Tomorrow we’ll talk about lightening our models. Can hardly wait to go into frustration mode again…

LABS & LAK’s film concerts, 30 – 31 January 2010

30 – 31 January LABS (Lunds Akademsika Blåsarsymfonkiker/ Lund’s Academic Symphonic Wind Orchestra) and LAK (Lunds Akademiska Kör/ Lund’s Academic Choir) performed two concerts of film music, in the St Andreas Church in Malmö on Saturday, and in the assembly hall of Lund’s university on Sunday. The two ensembles together plus a number of soloists equaled at least 80 people on stage, maybe as much as 90. We played music from Lord of the Rings (Howard Shore) and Henry V (Patrick Doyle). The main composer of the weekend was John Williams. From his extraordinary repertoire we played Star Wars Saga, a medley of themes from the original trilogy, Jurassic Park, Schindler’s List and Duel of the fates from Star Wars Episode I.

Williams is a living legend in the world of film scores. I’ve listened so much to his music through the years, but this was the first time I actually played it. I felt as excited as the little kid I saw in the audience who probably had never heard Star Wars live before. The way he marveled at the percussion section really made my day. Williams’s music, as well as the Star Wars films, is highly romantic, almost exaggeratedly romantic. I always loved exaggeration. Caricature for me is usually more real than realism. But that’s just me.

I listened to the complete scores for the original Star Wars trilogy at work all day today, since I wasn’t ready to leave that far away galaxy just yet. These clips are from our sunday concert in Lund. Enjoy!

Andreas Qassim’s Animation Showreel 1999-2010

I’ve been meaning to do this for a looong time. The reason I finally managed to unplug my thumb is the Animwork’s 3d character animation course starting next month. Even if I get in I will probably not attend, because of financial and practical difficulties. But it’d sure be cool, with guest lecturers from Pixar and everything. If for nothing else, I assembled my reel that will hopefully land me an animation job or two in the future. And I got to learn some rudimentary stuff in Premiere and After Effects in the process. Cool programs indeed. Please cross your fingers for me, or show me the way to the rainbow connection (buried treasure).

Kalinken is © Kenneth Hamberg.

Svingelskogen is © Monica Forsberg.

Bamse is © Rune Andréasson, and these particular clips are © Junior Productions and Fritidsresor.

Daydream is © The Lovin’ Spoonful.

The rest is © Andreas Qassim.

Festival of wonder 2009

13-15 November last year I attended a puppet festival in Denmark called Festival of Wonder. I hadn’t booked anything in advance so I crossed my fingers and just went (4 hours on the train from Lund). On the night of my arrival, I missed the performance I most wanted to see (the last one of friday’s program) by half an hour, and I found out that the youth hostel’s reception had closed early in the afternoon. So there I was in the middle of nowhere (a.k.a. Silkeborg) without any tickets to the weekend performances and with nowhere to sleep.

I called Hotel Dania, situated in the main square of Silkeborg. The hotel guy said EVERYTHING was booked because of the festival, but he had one recently canceled double room to offer. It was ridiculously expensive, but since the alternative was to sleep at the train station and catch the first train back in the morning, I decided to go for it. I explained my situation and looked at the guy with sad dog eyes until he gave me a 50% discount. It was still a bit more than I had in mind, but during the circumstances it was the best I could do, and the price even included hotel breakfast. Happiness!

The rest of the weekend was just like that. Everywhere I went I was told it was full, sold out, that I was too late or whatever, but somehow I managed to get in. Several of the performances I even attended for free. The second night I got the last room at the hostel. Four beds just for me! When I got back to the hostel after a hard day’s puppetry performances the other guests had dinner. You had to pre-book it. I didn’t know and thus missed it. Dog eyes or not, the angels working at Silkeborg Youth Hostel must have felt sorry for me, since they GAVE ME FREE DINNER. That was probably my happiest moment that weekend. I almost cried.

Here’s a small sample of the weekend of wonder:

flygande trädocka

Wood puppets were probably the most common form of puppet at the festival.

vild frisyr

mormor och barn

Arent’ these just beautiful? From the exhibition Do angels always have wings?

rolig husvägg

A painted ad for the Silkeborg art museum. With that car in front it makes quite an art installation in itself.

pitten

EXTREMELY funny if you’re Swedish.

barn workshop

The kids had a daily puppet workshop going on through the festival. I sneeked in and pretended to be a kid.

min workshopdocka

This was my puppet. Let’s call him Bengt.

kasperdockor1

Classic Punch and Judy style puppets from the hilarious Czech performance of The Three Musketeers.

kasperdockor2

trähäst

Puppets don’t necessarily have to look like muppets, marionettes or rod puppets. This wooden horse was a giant puppet. You could manipulate it by pulling its reins or pushing handles with your legs. The Obludarium puppeteer is showing the little girl how it’s done.

hårigt ben

Obludarium based their acts on Vaudeville and freak show mythology. These included legendary characters like the bearded lady, the world’s strongest man and so on, but always with a fresh twist. I got the T-shirt with the hairy leg. Joy!

starke mannen

The new circus Obludarium was definately the highlight of the festival. Completely magic and unlike anything I’ve seen before. If the Forman Bros (the sons of legendary film director Milos Forman) should ever stop by your town, I’d warmly recommend you go see their show.

The wilder numbers were hard to photograph since they took place mostly in darkness. Here’s a clip that turned out all right. These big headed clowns, according to the Forman Bros, live in the mountains of the Czech Republic under the trees.

Nice!

On my way home from work I passed this boutique in Lund. I passed it, stopped, and went back. Wasn’t that a particularly nice window? I reached for my mobile camera.

julfönster distans

Picture a dark and snowy Lund. All shops are closed due to bank holiday. Hardly any people out. Small street, small shop. And in the middle of all that darkness: a mega-cozy window decoration! Don’t you just want to go in there and buy like all those magazines?

julfönster mellan

One of those occasions when you realize you realized some old childhood dream of becoming “one of those guys”. I used to drool over windows like this, and now I actually made something in it. And I’m in good company, surrounded by Åsa-Nisse, 91:an, Lilla Fridolf, Pettson och Findus, Donald Duck etc. (please note who’s in the middle…). I’m “one of those guys”. Wehey!

julfönster nära

I think my ego just grew a centimeter or two. It’s nice!